![]() But Into the Spider-Verse not only bounced between dimensions narratively, it also did so visually, blurring the lines between 2D and 3D animation to create something with a truly distinct look. ![]() It is extremely rare to find a movie that leaps so gracefully between being action-packed, sad, heartfelt and laugh-out-loud funny without faltering or completely falling flat. Superhero movies have struggled to do this while using well-established characters, but Spider-Verse did so while also introducing - and endearing - audiences to a whole new Spider-Man in Miles Morales. If Spider-Verse had had a more conventional art style, it would have still been excellent - it deftly weaves a compelling story involving the multiverse, multiple heroes and a handful of remixed villains. This movie took the naturally kinetic medium of animation and injected every single frame with the visual flair that made superheroes come to life on the printed page in the first place Into the Spider-Verse looks like it was bombarded with comic rays…Or bitten by a radioactive comic book, though that doesn’t sound as clever. Miles Morales' Leap of Faith in Spider-Man: Into the Spider-Verse However, one movie puts them all to shame: Spider-Man: Into the Spider-Verse. the World, Edgar Wright cherry-picked thought bubbles, speed lines, and visible sound effects from Bryan Lee O’Malley’s hit Canadian manga. Over the years, quite a few films have emulated various comic styles: Warren Beatty upped the saturation in Dick Tracy to capture that vintage four-color newsprint vibe, while Robert Rodriguez did the opposite with Sin City, aping Frank Miller’s high-contrast monochromatic inks. Spider-Man: Into the Spider-Verse Adapting the Mediumĭespite the fact that “cartoon” can refer to sequential illustration on the printed page or in animated form, most “comic book movies" go the live-action route. So, yes, Akira and Princess Mononoke and Ghost in the Shell are on this list, but I wanted to take more of a variety pack approach here. In the West, a lot of the entertainment industry has operated under the assumption that animation is for children, and action movies are violent, and since children shouldn’t watch violent things, there’s no reason to make animated action movies - and obviously, that’s not true. Oh and let’s get something out of the way - this list could, and depending on who you ask, probably should be 100% Japanese anime. But for the sake of this list, let’s limit it to movies, as in feature films, with a substantial amount of fast-paced exciting stuff happening thanks to the magic of animation. On a literal level, the idea of animated action is basically redundant: Action is animate and animation is active.
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